Man Ray's career is distinctive above all for the success he achieved in both the United States and Europe. First maturing in the center of American modernism in the s, he made Paris his home in the s and s, and in the s he crossed the Atlantic once again, spending periods in New York and Hollywood. His art spanned painting, sculpture, film, prints and poetry, and in his long career he worked in styles influenced by Cubism, Futurism, Dada and Surrealism. He also successfully navigated the worlds of commercial and fine art, and came to be a sought-after fashion photographer. He is perhaps most remembered for his photographs of the inter-war years, in particular the camera-less pictures he called 'Rayographs', but he always regarded himself first and foremost as a painter.
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Man Ray's portraits: from Pablo Picasso to Catherine Deneuve – in pictures
Category:Nude men in art - Wikimedia Commons
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Category:Nude men in art
Born and raised by his adoptive Italian family in Newark, New Jersey, Ray Liotta has made his career playing one sleazy mobster, crooked cop, and degenerate villain after another. Ray made his big screen debut assaulting Pia Zadora with a garden hose in the cult classic The Lonely Lady. In , he played a characteristically volatile ex-con in Jonathan Demme 's film Something Wild.
In , Man Ray made a series of photographs using the artist Meret Oppenheim as a model. The left hand and arm are soiled and impure, but her gesture maintains an ambiguity between the warding off of further insults and a proud display of her stain. As a representation of a female artist in the role of a model, made by a male artist, Man Ray's photograph is at the center of a knot of considerations which entangle gender dynamics within Surrealism. In this enigmatic photograph, Oppenheim's eyes are downcast, half her face in the shadow of her ink-covered arm, which gestures palm out at the viewer.